Thursday, October 18, 2007

band of brothers ...


Enter the KING (HENRY V)

WESTMORELAND:
O that we now had here
But one ten thousand of those men in England
That do no work to-day!

HENRY V:
[...]
Rather proclaim it, Westmoreland, through my host,
That he which hath no stomach to this fight,
Let him depart; his passport shall be made,
And crowns for convoy put into his purse;
We would not die in that man's company
That fears his fellowship to die with us.
This day is call'd the feast of Crispian.
He that outlives this day, and comes safe home,
Will stand a tip-toe when this day is nam'd,
And rouse him at the name of Crispian.
He that shall live this day, and see old age,
Will yearly on the vigil feast his neighbours,
And say 'To-morrow is Saint Crispian.'
Then will he strip his sleeve and show his scars
And say 'These wounds I had on Crispian's day.'
Old men forget; yet all shall be forgot,
But he'll remember, with advantages,
What feats he did that day. Then shall our names
Familiar in his mouth as household words-
Harry the King, Bedford and Exeter,
Warwick and Talbot, Salisbury and Gloucester-
Be in their flowing cups freshly rememb'red.
This story shall the good man teach his son;
And Crispin Crispian shall ne'er go by,
From this day to the ending of the world,
But we in it shall be remembered-
We few, we happy few, we band of brothers;
For he to-day that sheds his blood with me
Shall be my brother; be he ne'er so vile,
This day shall gentle his condition;
And gentlemen in England now-a-bed
Shall think themselves accurs'd they were not here,
And hold their manhoods cheap whiles any speaks
That fought with us upon Saint Crispin's day.

Saturday, September 22, 2007

'The Triumph of Life'

by Percy Bysshe Shelley

[Composed at Lerici on the Gulf of Spezzia in the spring
and early summer of 1822—the poem on which Shelley was
engaged at the time of his death.]


Swift as a spirit hastening to his task
Of glory and of good, the Sun sprang forth
Rejoicing in his splendour, and the mask

Of darkness fell from the awakened Earth—
The smokeless altars of the mountain snows
Flamed above crimson clouds, and at the birth

Of light, the Ocean's orison arose,
To which the birds tempered their matin lay.
All flowers in field or forest which unclose

Their trembling eyelids to the kiss of day,
Swinging their censers in the element,
With orient incense lit by the new ray

Burned slow and inconsumably, and sent
Their odorous sighs up to the smiling air;
And, in succession due, did continent,

Isle, ocean, and all things that in them wear
The form and character of mortal mould,
Rise as the Sun their father rose, to bear

Their portion of the toil, which he of old
Took as his own, and then imposed on them:
But I, whom thoughts which must remain untold

Had kept as wakeful as the stars that gem
The cone of night, now they were laid asleep
Stretched my faint limbs beneath the hoary stem

Which an old chestnut flung athwart the steep
Of a green Apennine: before me fled
The night; behind me rose the day; the deep

Was at my feet, and Heaven above my head,—
When a strange trance over my fancy grew
Which was not slumber, for the shade it spread

Was so transparent, that the scene came through
As clear as when a veil of light is drawn
O'er evening hills they glimmer; and I knew

That I had felt the freshness of that dawn
Bathe in the same cold dew my brow and hair,
And sate as thus upon that slope of lawn

Under the self-same bough, and heard as there
The birds, the fountains and the ocean hold
Sweet talk in music through the enamoured air,
And then a vision on my brain was rolled.

...

As in that trance of wondrous thought I lay,
This was the tenour of my waking dream:—
Methought I sate beside a public way

Thick strewn with summer dust, and a great stream
Of people there was hurrying to and fro,
Numerous as gnats upon the evening gleam,

All hastening onward, yet none seemed to know
Whither he went, or whence he came, or why
He made one of the multitude, and so

Was borne amid the crowd, as through the sky
One of the million leaves of summer's bier;
Old age and youth, manhood and infancy,

Mixed in one mighty torrent did appear,
Some flying from the thing they feared, and some
Seeking the object of another's fear;

And others, as with steps towards the tomb,
Pored on the trodden worms that crawled beneath,
And others mournfully within the gloom

Of their own shadow walked, and called it death;
And some fled from it as it were a ghost,
Half fainting in the affliction of vain breath:

But more, with motions which each other crossed,
Pursued or shunned the shadows the clouds threw,
Or birds within the noonday aether lost,

Upon that path where flowers never grew,—
And, weary with vain toil and faint for thirst,
Heard not the fountains, whose melodious dew

Out of their mossy cells forever burst;
Nor felt the breeze which from the forest told
Of grassy paths and wood-lawns interspersed[4]

With overarching elms and caverns cold,
And violet banks where sweet dreams brood, but they
Pursued their serious folly as of old.

And as I gazed, methought that in the way
The throng grew wilder, as the woods of June
When the south wind shakes the extinguished day,

And a cold glare, intenser than the noon,
But icy cold, obscured with blinding light
The sun, as he the stars. Like the young moon—

When on the sunlit limits of the night
Her white shell trembles amid crimson air,
And whilst the sleeping tempest gathers might—

Doth, as the herald of its coming, bear
The ghost of its dead mother, whose dim form
Bends in dark aether from her infant's chair,—

So came a chariot on the silent storm
Of its own rushing splendour, and a Shape
So sate within, as one whom years deform,

Beneath a dusky hood and double cape,
Crouching within the shadow of a tomb;
And o'er what seemed the head a cloud-like crape

Was bent, a dun and faint aethereal gloom
Tempering the light. Upon the chariot-beam
A Janus-visaged Shadow did assume

The guidance of that wonder-winged team;
The shapes which drew it[7] in thick lightenings
Were lost:—I heard alone on the air's soft stream

The music of their ever-moving wings.
All the four faces of that Charioteer
Had their eyes banded; little profit brings

Speed in the van and blindness in the rear,
Nor then avail the beams that quench the sun,—
Or that with banded eyes could pierce the sphere

Of all that is, has been or will be done;
So ill was the car guided—but it passed
With solemn speed majestically on.

The crowd gave way, and I arose aghast,
Or seemed to rise, so mighty was the trance,
And saw, like clouds upon the thunder-blast,

The million with fierce song and maniac dance
Raging around—such seemed the jubilee
As when to greet some conqueror's advance

Imperial Rome poured forth her living sea
From senate-house, and forum, and theatre,
When ... upon the free

Had bound a yoke, which soon they stooped to bear.
Nor wanted here the just similitude
Of a triumphal pageant, for where'er

The chariot rolled, a captive multitude
Was driven;—all those who had grown old in power
Or misery,—all who had their age subdued

By action or by suffering, and whose hour
Was drained to its last sand in weal or woe,
So that the trunk survived both fruit and flower;—

All those whose fame or infamy must grow
Till the great winter lay the form and name
Of this green earth with them for ever low;—

Sunday, September 2, 2007

The Death of Britain


“You ask, what is our aim? I can answer in one word: It is victory, victory at all costs, victory in spite of all terror, victory, however long and hard the road may be; for without victory, there is no survival.”
— Winston Churchill, speech in the House of Commons, May 13, 1940

The Britain of Churchill, of Prince Hal, of Horatio Nelson and the Duke of Wellington, that Britain of old no longer exists.

We wouldn't imagine for a moment that a Greek peasant huddling in the portico of the ruins of the Acropolis has any meaningful connection with the grandeur that was ancient Athens. The British of today are huddled in the moral ruins of what once existed. The British people now have no connection to the Britain of Churchill, Prince Hal, and Admiral Nelson.

The British of today are anti-Christian, anti-Semitic, anti-democratic, and anti-American. The most popular philosopher there is Karl Marx. Christ is reviled. Christians and conservatives are generally loathed.

Contemporary exemplars of what-was-once-Britain are such human detritus as George Galloway, Ken Livingstone, and Mark Malloch-Brown.

Forget about Britain. It is gone.

Tuesday, May 15, 2007

Britian's Bayeux Tapestry: story and scenes

As a long-standing fan of Patrick O'Brian's and Bernard Cornwell's historical novels, here's the frame-by-frame visual narrative presented in the Bayeux Tapestry. This is one of the things that makes the West unique. No other civilization has employed: 1) the rudiments of perspective, and 2) a coherent plot showing the journey of the hero. It's the story of William the Conqueror and Harold, Earl of Wessex, the men who led the Norman and Saxon armies in 1066. William's defeat of Harold at the Battle of Hastings ensured the success of the Norman invasion of England...

The Victorian replica of the Tapestry is housed in its own gallery at the Museum of Reading, where it can be viewed for FREE during the Museum opening hours.

Bayeux Tapestry - Journey to Normandy & the Prisoner ...

Journey To Normandy - Scene 1



It is 1064. In the Royal Palace of Westminster Edward the Confessor, King of England since 1042, is talking to his brother-in-law Harold, Earl of Wessex. After this Harold, holding a hawk, makes for the south coast with his followers and hunting dogs. They are heading for Bosham in Sussex, Harold’s family estate.
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Journey To Normandy - Scene 2



 Harold and a companion enter the church at Bosham, to pray for a safe voyage. The night before they leave a feast is held in one of Harold's many houses - the manor house at Bosham. Harold boards his ship and sets sail. He is still carrying his hawk.

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Journey To Normandy - Scene 3 



Harold’s ship is driven across the channel. From the mast a lookout spies land. It is Ponthieu, north of Normandy, the territory of the fierce Count Guy. Harold is shown twice. At the left he stands on the ship, ready to land. As soon as he climbs down, he is seized by the soldiers of Count Guy who directs operations from horseback.

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The Prisoner - Scene 4



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The Prisoner - Scene 5


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Sunday, April 22, 2007

From the Sun to Mars


This is an X-ray image of the sun taken with the Soft X-Ray Telescope (SXT) on the orbiting Yohkoh satellite. (Courtesy of Lockheed Palo Alto Research Laboratory)